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THE LUCIDITY SUITCASE INTERCONTINENTAL

THE UNDISCOVERED COUNTRY
{MICROWORLD(s) PART #2} comes to DENVER

designed & staged by
THADDEUS PHILLIPS
directed by
TATIANA MALLARINO

BUNTPORT THEATER
MARCH 11th to 14th, 2010

THE UNDISCOVERED COUNTRY is a visual spectacle, created using only recycled materials & trash, that follows the journey of Milo and his rubber Duck Fumio on an epic journey across the Pacific ocean in an attempt to reach Brazil.
The entire stage of the Bride will be transformed into a global playground using objects, shadows, sly wit (perhaps) and visual poetry in a work about creative freedom, liberation and the possibilities of the future.

critics on Part #2:
"Microworld(s), both people and objects end up in places they never intended, doing things for which they probably weren't meant (a blue tarp studded with empty water bottles transforms from a trash-filled ocean to a starry night sky). The beauty of Phillips' and Mallarino's vision is that everything and everyone washed ashore or tossed aside is repurposed and put to a worthwhile use".
PHILADELPHIA INQUIRER


critics on Part #1:
"Microworld(s)" is smart theater for a new generation of theatergoers, a model of efficiency and theatrical ingenuity"
-THE DENVER POST

"Thaddeus Phillips is a magician of the stage. He likes putting disparate things together — objects, images, ideas — in service of a new and transformative vision . . . We humans need to open ourselves now to all kinds of odd and seemingly unrelated manifestations, just as Milo {the main charachter} does, because it's only through a combination of fact and faith, science and magic, energy and sweetness that we will find salvation.
-WESTWORD


The LUCIDITY SUITCASE Intercontinental is a theater creation team made up of artists from Colorado, Colombia, Iowa, New Mexico, New York & Bulgaria that use 'rough' media, documentary footage, transformational scenography, improvisation and research to create theaterical epics and windows into not-often seen worlds.

The creation and programming of this website is partially supported by a grant from Pennsylvania Performing Arts on Tour, a program developed and funded by The Heinz Endowments; the William Penn Foundation; the Pennsylvania Council on the Arts, a state agency; and The Pew Charitable Trusts; and administered by Mid Atlantic Arts Foundation